Craving St. Basil’s Onion Domes

America isn’t known for its breathtaking architecture. There, I said it. I live in a Daniel Burnham-designed loft building that used to be a paper binding factory. It is as close to era-inspired as I could get (or afford) in Chicago. Seems that ours is a young nation hell-bent on beauty-free, modern efficiency. There are few castles here. Churches look more and more like Costco warehouses [insert sarcastic statement about capitalism and religion here] and the few Victorian Gingerbread homes left are weak and cookie cutter [why do I suddenly crave gingerbread cookies?].

I want structures that will serve my imagination.  And  to fulfill this desire I have to cross oceans of time. I raved over the Kostnice (Sedlec) Ossuary and St. Barbara’s Cathedral in Kutna Hora outside of Prague, I loved strolling through Notre Dame in Paris and I  attended mass at St. Peter’s in Munich. I just stood there with my jaw hanging open looking around in awe at these places. If architecture was an animal I’d be a constant hunter, if only I could match my trips with the ever-growing number of arrows in my quiver.

Me at the Sedlec Kostnice Ossuary in Kutna Hora, Czech Republic

If you’ve ever “experienced” Dr. Zhivago you know that Russia simply drips with tragic historical romance in both its literature and architecture. The Romanovs, czars, czarinas, Rasputin, Lenin, Dostoyevsky, Tolstoy, nesting dolls, the beautiful characters that comprise the cyrillic language, etc. It is that velvet-y revolution of mind to which I’m drawn. Near the top of my Bucket List, which consists entirely of travel destinations and architectural delicassies is the Cathedral of the Protection of Most Holy Theotokos on the Moat (phew!) a.k.a. St. Basil’s Cathedral.  This magnificent onion-domed church was built bewteen 1555 and 1561 by Ivan the Terrible in honor of the capture of the Kazan Khanate, part of the former Golden Horde. It stands on the edge of Red Square in Moscow.

Until 1600 it was the tallest building in the city and marks the geometric center of the city.

According to, legends have it that the builder of this Cathedral was blinded so that such a beautiful structure could never be built again. The Cathedral is vividly colorful and contains redbrick towers that add to its beauty. The church’s design consists of nine chapels, each mounted with its individual dome that marks the assault on the city of Kazan.

The Cathedral provides a strong religious symbolism and is based on architectural designs found in Jerusalem. Eight of the domes make a circular form around the ninth dome, forming a star (if viewed from the top). The number eight is considered an auspicious number according to Jewish calendar. There is a deep contrast between the interior and the exterior of the Cathedral. The interior contains modest decorations and is not that spectacular. The corridors inside are narrow and don’t have adequate space for worshippers seating.

Many times in history, the Cathedral has suffered damage due to violent communal incidents. If stories are to be true, the French ruler Napoleon wanted to take St. Basil back to France with him, but due to the lack of such technology, he ordered his army to destroy it so that no one else could occupy the church. His army had prepared to attack the church and had also lit up the gunpowder, but a mysterious rain shower prevented the explosions. These are legends, but people really believe in St. Basil’s mysterious powers and there are a lot of committed worshipers.

The small dome on the left marks the sanctuary of Basil the Blessed (1588).

According to our friend Wikipedia: The building’s design, shaped as a flame of a bonfire rising into the sky, has no analogues in Russian architecture: “It is like no other Russian building. Nothing similar can be found in the entire millennium of Byzantine tradition from the fifth to fifteenth century… a strangeness that astonishes by its unexpectedness, complexity and dazzling interleaving of the manifold details of its design.”  The cathedral foreshadowed the climax of Russian national architecture in the 17th century. The church has operated as a division of the State Historical Museum since 1928.  It was completely secularized in 1929 and, as of 2011, remains a federal property of the Russian Federation. The church has been part of the Moscow Kremlin and Red Square UNESCO World Heritage Site since 1990. It is often mislabeled as the Kremlin due to its location on Red Square in immediate proximity of the Kremlin.

The church acquired its present-day vivid colors in several stages from 1680s to 1848.  Russians’ attitude to color in the 17th century changed in favor of bright colors; icon and mural art experienced an explosive growth in number of available paints, dyes and their combinations.  The original color scheme, missing these innovations, was far less challenging. It followed the depiction of Heavenly City in the Book of Revelation:

  “And he that sat was to look upon like a jasper and a sardine stone: and there was a rainbow round about the throne, in sight like unto an emerald. And round about the throne were four and twenty seats: and upon the seats I saw four and twenty elders sitting, clothed in white raiment; and they had on their heads crowns of gold.”

Color scheme of the cathedral is best seen by night.

I think I would either cry or faint if – nay, WHEN – I behold this cultural gem. It resembles a whimsical jewel-like castle from my dreams. Or like a sandcastle made by God. All I can do until I step foot in Red Square is to swoon and swoon. Additionally, I would also make time to travel to St. Petersburg to visit the St. Basil-inspired cathedral, The Church of Our Savior of Spilled Blood.

Inspired by St. Basil's Cathedral.


DePaul University’s New Virtual Exhibit

DePaul University’s Office of Mission & Values  just rolled out a new Vincentian Collection digital online museum featuring the Virtual Exhibition of  Saint Lazare as a Women’s Prison (1794 – 1932) in Paris…and it is out of this world. The Saint Lazare structure had a long history pre-dating the Congregation of the Mission. After its confiscation by the Revolutionary government in 1792 the buildings of Saint Lazare became a prison for enemies of the revolution. In 1811, it became a prison exclusively for women. Until 1936 the main complex of Saint Lazare became the notorious “St. Lago” prison, housing mostly women convicted of prostitution. Despite efforts to close the prison, it endured until 1932.

DePaul University's new digital archive currently offers a virtual exhibition on Saint-Lazare

I attended the unveiling of this massive project at DePaul University a few weeks ago and learned that this ever-growing digital archive is on par with virtual archives that the “big boys” have. Few universities have such a grand collection. It offers intuitive navigation, maps with fantastic Zoomify capabilities, gorgeous black and white photos and illustrations archived from very old originals, short, carefully-crafted audio stories about the history of Saint Lazare and even French songs that were re-recorded by students in DePaul University’s Music Department. This digital museum serves to provide a narrative to educate on the culture and social climate of the time as well as how St. Vincent and the Congregation of the Mission played into the lives of the female criminals and prostitutes (including the infamous Mata Hari) during the revolution – and how they were treated and cared for by the sisters at Saint Lazare.

On a day when you don’t feel like paying admission to wander the halls and fight the crowds of a physical museum, take a virtual stroll through this free and magnificient new archive which will continue to grow over time as a treasured source of research and rich history.