Instead of the usual Haiku Wednesday, I wanted to take care of 3 housekeeping items today:
#1 Happy birthday to my husband, Cecil!
He who puts up with me.
#2 I recently watched a bizarre and disturbingly jerky version of Alice in Wonderland marinated in Eastern European-ness. This 1988 movie was just called Alice. The Netflix description is as follows: After her stuffed rabbit opens a portal inside her dresser, Alice (Kristýna Kohoutová) crosses over into a world of puppets and dead animals in Czech director Jan Svankmajer’s bizarre adaptation of Lewis Carroll’s children’s book, considered a classic of surreal cinema. Svankmajer gives the Caterpillar, the Mad Hatter and the Cheshire Cat equally warped makeovers via stop-motion animation and stark cinematography. I, who love dark imagery, was left feeling bored at times, at other times I thought I might’ve been tripping, and at points I felt anxious bordering on motion-sick due to the extreme use of stop-motion effects. Overall it was a creepy film and not one for children, though it had no rating. Do I recommend it? Sure, a little avant garde grim fairy-talety never hurt anyone.
Here is a clip:
#3 I just completed a drawing I call “The Wicked and the Clever”, which is currently for sale.
Here is a closeup of the detail:
Detail of "The Wicked and the Clever" by Sarah McNabb 2011
I invite you to check out the full Monty and read about its rationale at FamousAfterIDie.com. Enjoy!
Last night my husband and I watched the 2011 Oscar-winning documentary “Inside Job” about the financial crisis of 2007–2010. While the content was utterly infuriating, the skillful intro of this doc will stay with me. It starts out in Iceland, interviewing financial experts about how deregulation screwed up their economy. The Icelandic man speaking, Gylfi Zoega, says, “But this is a universal problem, huh. In New York, you have the same problem, right?” And the camera immediately cuts to sweeping helicopter shots of the New York skyline with this song blasting. This was the start of the documentary. The transition is pretty rad.
“Big Time” is a song by Peter Gabriel from his 1986 album So. It was his second top-ten single on the Billboard Hot 100, peaking at #8. “Big Time” deals with a man’s efforts to achieve success. The visual style was very similar to the “Sledgehammer” video, using stop motion, claymation, and strata-cut animation (the last done by David Daniels) to show Gabriel leaving his small home town to make the big time. [Wikipedia]
I didn’t grow up with cable, so when I would visit my cousins as a kid I would love watching Peter Gabriel videos on MTV. The claymation and quirky, jittery movements were like colorful pieces of art moving across the screen to the beat of great music. Who wouldn’t love that?